Recently, Stephanie and I decided to show ET to our kids. This movie holds a special place in my heart as my dad took me to see this great movie when I was about the age of my son Jack. I asked them what they though of it:
Joel: "We just finished watching a movie that my dad took me to see when I was about Jack's age..."
Jack: "Yeah, you were about my age..."
Joel: "What was the name of the movie."
Jack: "It was called ET."
Joel: "Now Corrie, this was an emotional movie for you, wasn't it?"
Corrie: "Yes...towards the end I thought that he had died and I was very sad...I had a lot of emotions...first I was happy, then I was sad, then I was angry...when I first thought that ET was dead."
Joel: "Jack, what was your favorite scene in the movie."
Jack: "I liked most of the funny scenes, but the one I liked the most was when he says to ET, 'No, it's a fake knife'."
Joel: "That was funny. Corrie, do you have a favorite scene in the movie?"
Corrie: "I like when he saw the person dressed as Yoda and said 'HOME..HOME..."
Jack: "Why does he say, 'HOME.'"
Corrie: "Yoda is an alien, and he thought that the person dressed as Yoda was someone from where he was from, and the Yoda person was like staring at him..."
Joel: "Did you guys notice...did they show the grown ups in the movie...what did they show when they showed grownups..."
Corrie: "Just the mom and the nice guy."
Joel: "Yeah, but, before that..."
Corrie: "Yeah...waist down..."
Joel: "Why do you think that the movie was shot that way?"
Corrie: "Kind of supposed to be more like a children's movie and when they do stuff like that it shows you that the children are more the main characters than the grown ups are..."
Joel: "I think that's a great answer. There's a scene when the older brother is in the closet when ET is sick. One of the things that's neat about the movie is that Elliott is old enough to really know what's going on, while the younger sister doesn't know as much, but the older brother is old enough to sort of to be a young man and the only dad Elliott has because Elliott's dad isn't there anymore. But he's also sort of a kid, so when he's scared about ET's health, what does he do?"
Corrie: "Goes into Elliott's closet."
Joel: "He goes into the closet like a little kid again, doesn't he?"
Jack: "So, Dad, how do they know that the spaceship was going to land there?"
Joel: "Great question! What did ET build...the place where the phone was was where the ship came..."
Jack: "So they knew that it was there?"
Joel: "Yeah. What did you think of the part at the school...with the frogs."
Corrie: "Well, I would have freaked if there were huge masses of frogs leaping everywhere, but I didn't really liked how he was acting. I know that ET was connected to Elliott..."
Jack: "Why was he connected to him?"
Joel: "We're not really sure why...it's some sort of connection that the ET creature has with Elliott that unique."
Corrie: " I didn't like how he did whatever the TV did! I didn't like how he...you know what..."
Joel: "You know what? I have a feeling you're talking about when he kissed that girl? Yeah..."
Corrie: "That made me feel so uncomfortable."
Joel: "So, I guess the only other thing is...did you like the music? When I was a kiddo I had a record of music from the movie...I don't know where it is now...probably just gone. When this movie came out, I was about Jack's age, and it was so popular...every kiddo saw it, every kiddo was going around saying "ET phone home..."
Corrie: "So you could ask someone if they had seen ET and you could know that they would say yes?"
Joel: "Anyway, mommy and daddy thought this would be a great movie night movie...you guys liked it, right? Anything else you want to say about the movie?"
Jack: "I hated it when he got dressed up in all the girl's clothes...he was being treated like a doll..."
Wesley: "She looked like an alien slash girl..."
Corrie: "I think that...I have seen a lot of movies where certain children find objects that aren't normal...like "Indian in the Cupboard"...the boy Omri, they have to get to know each other, then when they develop a friendship then they have each other for awhile and then something happens that makes it necessary for the Indian and his friends go home.."
Joel: "There was one other thing that you guys said that I thought was cool...at the beginning of the movie, you said that ET reminded you of somebody...who was that?"
Corrie: "I thought he reminded me of WALL-E."
Joel: "I have a feeling that the people who made WALL-E, because it was made 25 years after ET, they would probably tell you that part of the inspiration for WALL-E was ET. Do you remember the name Ben Burtt from the Star Wars Radio dramas Corrie?"
Corrie: "Uh huh"
Joel: "He did the sound effects for the Star Wars movies, the sound for WALL-E, and the sound for ET."
Corrie: "They all seem so connected. ET, Star Wars and WALL-E...I think Star Wars and WALL-E are connected is because a lot of it takes place in space, and WALL-E and ET are alike for another reason...they talk but they don't say long sentences..."
Jack: "How long is this interview going to be Dada?"
Joel: "It's over now."
Jack: "Why....?
Thursday, November 15, 2012
Friday, November 9, 2012
Family Film Friday: ET
Since this movie resonates a lot with me personally, I am going to devote two entries to it. I want to write about it for me, and for my kids. I interviewed my kids about this movie, and I will give that interview on the blog as well. At the same time, this movie affected me so much as a kid that I wanted to write on it as well.
When I was 7 years old (the same age as my son Jack is right now), my parents took me to see "ET". I say it was my parents, because I am pretty sure we saw it as a family, but for some reason, the only memories I have of that night were of my dad. We didn't see a lot of movies, so it was special to go and see this one. When we got to the 4 theater complex at Fashion Square in La Habra (the world's first free standing four theater complex, I might add), there was a long line outside the theater. I knew nothing about the movie, but dad assured me that the reason there were so many people waiting was it was a great movie.
I agreed then, and I still do. As I sat down recently with my three kids to watch this movie for their first time, I couldn't help but remember that night 30 years ago when dad took me. Watching it this time, I was very impressed by its perspective, and how much director Steven Spielberg allows the camera to tell the story. The movie follows the adventures of two beings. Elliott is a 10 year old boy whose family has recently been ripped apart by divorce. One night, an alien vessel lands in the forest outside of the suburb in which Elliott lives. Several creatures depart the ship to explore, but when cars full of inquisitive humans pull up in the forest, the aliens are forced to run back to their ship. Alas, one little guy is left behind, as he doesn't make it back to the ship fast enough. He finds his way into Elliot's care, and the two of them develop an intense bond of friendship. The rest of the movie shows us ET's attempt to return home. The only two adults of note in the movie are Mary (Dee Wallace), the broken hearted mother who is the lone caretaker of her three children, and a sympathetic man (played by Peter Coyote) for his own reasons, but who is not named in the film. Elliot and his brother and sister (played by Drew Barrymore at the age of 6) have been thrown into a magical world...one that cannot last.
The story entranced me as a child. It was simple to follow, and it was clear who the bad guys and good guys were. Watching it now, I am very impressed by the world created by those who made this film. I noticed how much this movie is about the innocence of childhood. It gives us a world of childhood, a world where grown ups seem strange and dangerous. For most of the movie, the only face of a grown up that we see is that of Elliot's mother. Upon this viewing, there was one brief scene that made an impression on me that I did not remember. As ET is thought to have deceased, Elliot's older brother Michael retreats to his brother's room. He huddles up in the fetal position in a closet full of toys. As Michael grows toward adulthood, he is stuck in that weird time of life when one is not sure whether they are an adult or a child. Michael feels like a child right now, even though he has had to be the protector of his siblings and mother for the whole movie. In this one moment of sadness for him, he finds solitude for a moment and retreats back into the comfortable and safe world of his childhood.
As an adult watching this movie, I can relate to the children since I was a child once. But, I also found myself relating to the adults. The adults in the suits weren't simply bad anymore, just out of touch with the kids. As a parent, I know about that as well. Sometimes the business of my world eclipses the world of my kids. As I watched it with my kids, I was transported back to the first time I saw it with my dad. I can remember his laugh echoing in the theater during certain scenes, and I can remember how much it meant to me to see it with him. As I watched it with my kids, I saw this movie in a whole new way, and I enjoyed the view.
When I was 7 years old (the same age as my son Jack is right now), my parents took me to see "ET". I say it was my parents, because I am pretty sure we saw it as a family, but for some reason, the only memories I have of that night were of my dad. We didn't see a lot of movies, so it was special to go and see this one. When we got to the 4 theater complex at Fashion Square in La Habra (the world's first free standing four theater complex, I might add), there was a long line outside the theater. I knew nothing about the movie, but dad assured me that the reason there were so many people waiting was it was a great movie.
I agreed then, and I still do. As I sat down recently with my three kids to watch this movie for their first time, I couldn't help but remember that night 30 years ago when dad took me. Watching it this time, I was very impressed by its perspective, and how much director Steven Spielberg allows the camera to tell the story. The movie follows the adventures of two beings. Elliott is a 10 year old boy whose family has recently been ripped apart by divorce. One night, an alien vessel lands in the forest outside of the suburb in which Elliott lives. Several creatures depart the ship to explore, but when cars full of inquisitive humans pull up in the forest, the aliens are forced to run back to their ship. Alas, one little guy is left behind, as he doesn't make it back to the ship fast enough. He finds his way into Elliot's care, and the two of them develop an intense bond of friendship. The rest of the movie shows us ET's attempt to return home. The only two adults of note in the movie are Mary (Dee Wallace), the broken hearted mother who is the lone caretaker of her three children, and a sympathetic man (played by Peter Coyote) for his own reasons, but who is not named in the film. Elliot and his brother and sister (played by Drew Barrymore at the age of 6) have been thrown into a magical world...one that cannot last.
The story entranced me as a child. It was simple to follow, and it was clear who the bad guys and good guys were. Watching it now, I am very impressed by the world created by those who made this film. I noticed how much this movie is about the innocence of childhood. It gives us a world of childhood, a world where grown ups seem strange and dangerous. For most of the movie, the only face of a grown up that we see is that of Elliot's mother. Upon this viewing, there was one brief scene that made an impression on me that I did not remember. As ET is thought to have deceased, Elliot's older brother Michael retreats to his brother's room. He huddles up in the fetal position in a closet full of toys. As Michael grows toward adulthood, he is stuck in that weird time of life when one is not sure whether they are an adult or a child. Michael feels like a child right now, even though he has had to be the protector of his siblings and mother for the whole movie. In this one moment of sadness for him, he finds solitude for a moment and retreats back into the comfortable and safe world of his childhood.
As an adult watching this movie, I can relate to the children since I was a child once. But, I also found myself relating to the adults. The adults in the suits weren't simply bad anymore, just out of touch with the kids. As a parent, I know about that as well. Sometimes the business of my world eclipses the world of my kids. As I watched it with my kids, I was transported back to the first time I saw it with my dad. I can remember his laugh echoing in the theater during certain scenes, and I can remember how much it meant to me to see it with him. As I watched it with my kids, I saw this movie in a whole new way, and I enjoyed the view.
Wednesday, November 7, 2012
Casino Royale
My Dad did not like James Bond. Therefore, I never saw any James Bond movies growing up. I ended up finally seeing my first Bond film 15 years ago or so, when Pierce Brosnan played James Bond. It was entertaining, but not great. When "Casino Royale" was released, I was impressed with the great reviews it got, so I figured I should give it another shot. That was 6 years ago. My wife and I just watched the movie, and I have to say, I really did like this movie. There are many reasons for this, but I have to say, I think even my dad would have found several things to like about this movie.
As I understand it, this film is a reboot of the James Bond franchise. As such, it deals with the origins of James Bond and his "License to Kill". What makes this movie entertaining is that James Bond appears very human in the movie. He makes costly mistakes at the beginning, and still needs lots of seasoning before he can be the professional that he will become. The plot is secondary. It involves a wealthy villain who acts as a banker to terrorists and other unsavory types. It is Bond's job to stop him..
I have been told that this is an unusual Bond film, because so many of the Bond elements are not in this film. Maybe that's why I liked it so much. This man appears human and vulnerable, while still the essence of cool. Ladies aren't quite as expendable to him as I would have thought, and some of the non politically correct talk seems to have been toned down a bit.
All and all, seriously reflection on this movie is beside the point. However, fun movies can be hard to nail down as well, and the ability of the filmmaker to make a movie that can sustain a story for over 2 hours is noteworthy. The plot is simple enough that we can enjoy the action, but has enough substance and intrigue to keep it from being meaningless. Daniel Craig inhabits the role well, and the supporting players are all effective as well. Stephanie and I are also big fans of Judi Dench, and her presence in this film gives it way more gravitas then it needs. I sort of wish I could watch this one with my dad, though the fast forward button would probably be used a couple of times.
As I understand it, this film is a reboot of the James Bond franchise. As such, it deals with the origins of James Bond and his "License to Kill". What makes this movie entertaining is that James Bond appears very human in the movie. He makes costly mistakes at the beginning, and still needs lots of seasoning before he can be the professional that he will become. The plot is secondary. It involves a wealthy villain who acts as a banker to terrorists and other unsavory types. It is Bond's job to stop him..
I have been told that this is an unusual Bond film, because so many of the Bond elements are not in this film. Maybe that's why I liked it so much. This man appears human and vulnerable, while still the essence of cool. Ladies aren't quite as expendable to him as I would have thought, and some of the non politically correct talk seems to have been toned down a bit.
All and all, seriously reflection on this movie is beside the point. However, fun movies can be hard to nail down as well, and the ability of the filmmaker to make a movie that can sustain a story for over 2 hours is noteworthy. The plot is simple enough that we can enjoy the action, but has enough substance and intrigue to keep it from being meaningless. Daniel Craig inhabits the role well, and the supporting players are all effective as well. Stephanie and I are also big fans of Judi Dench, and her presence in this film gives it way more gravitas then it needs. I sort of wish I could watch this one with my dad, though the fast forward button would probably be used a couple of times.
Saturday, November 3, 2012
The Iron Lady
Once again, Meryl Streep disappears into a role. Her work here as Margaret Thatcher is truly a sight to behold, and it reminds us of one of the many reasons we watch movies. Over the years, many of the great performances put on film have not necessarily been in the greatest movies. However, the greatness of the performance in the film makes the film not only watchable, but also noteworthy. I remember feeling that way when I watched "Yankee Doodle Dandy", with James Cagney. While I think that is a finer film than this one, it nevertheless is carried by an outstanding performance by James Cagney. So it is in the movie.
One of the weaknesses of the film is that it doesn't have a cohesive, driving narrative. True, the film tells the story of Margaret Thatcher's life (she became the first female Prime Minister in the Western World). It tells it mostly in flashbacks, but I felt that it seemed to more resemble a greatest hits album than a powerful story. Fortunately, the hits of Thatcher's life are compelling enough to still tell an exciting story. The person the film depicts is and was a person of deep conviction. In these times of constant political questioning, that can be charming to some and enraging to others. To some, conviction is a weakness as it shows itself to be inflexible and dogmatic. To others, conviction shows a depth of character. Interestingly enough, many times we only admire those with conviction if their convictions agree with our own.
But the real story, again, is Meryl Streep. As I watched this biopic, I was transported back some 8 years to watching the funeral for Ronald Reagan. The funeral featured a video taped message from Margaret Thatcher, who was not well enough to speak in person at the funeral, even though she did attend. Her voice is mimicked so well by Streep that I could hear that video taped message in my head. But the film would be even weaker than it already is if all Streep was doing was some sort of impression for a comedy club. Instead, she inhabits the role, and the voice she uses is a window into the soul of this complicated woman.
The woman of depiction here is one with deep pride in her country, and who sees the heart of her country under attack by the welfare state. Whether one agrees with this or not, there is a certain sympathy to be had in seeing how these sensibilities developed in young Margaret. Though people on both sides of the political aisle are demonized by the other side, it is always vital to remember that each person has arrived at their own conclusions for specific reasons. As we dialogue with each other, we must remember how these life lessons were learned by each of us. I have no idea of the politics of the films' director, but I think it is notable that one cannot tell what they are from watching the film. Here is a film that is more concerned with showing us a picture of a life rather than telling us how we should view that life. I wish it had been more compelling, but the material is fascinating.
One of the weaknesses of the film is that it doesn't have a cohesive, driving narrative. True, the film tells the story of Margaret Thatcher's life (she became the first female Prime Minister in the Western World). It tells it mostly in flashbacks, but I felt that it seemed to more resemble a greatest hits album than a powerful story. Fortunately, the hits of Thatcher's life are compelling enough to still tell an exciting story. The person the film depicts is and was a person of deep conviction. In these times of constant political questioning, that can be charming to some and enraging to others. To some, conviction is a weakness as it shows itself to be inflexible and dogmatic. To others, conviction shows a depth of character. Interestingly enough, many times we only admire those with conviction if their convictions agree with our own.
But the real story, again, is Meryl Streep. As I watched this biopic, I was transported back some 8 years to watching the funeral for Ronald Reagan. The funeral featured a video taped message from Margaret Thatcher, who was not well enough to speak in person at the funeral, even though she did attend. Her voice is mimicked so well by Streep that I could hear that video taped message in my head. But the film would be even weaker than it already is if all Streep was doing was some sort of impression for a comedy club. Instead, she inhabits the role, and the voice she uses is a window into the soul of this complicated woman.
The woman of depiction here is one with deep pride in her country, and who sees the heart of her country under attack by the welfare state. Whether one agrees with this or not, there is a certain sympathy to be had in seeing how these sensibilities developed in young Margaret. Though people on both sides of the political aisle are demonized by the other side, it is always vital to remember that each person has arrived at their own conclusions for specific reasons. As we dialogue with each other, we must remember how these life lessons were learned by each of us. I have no idea of the politics of the films' director, but I think it is notable that one cannot tell what they are from watching the film. Here is a film that is more concerned with showing us a picture of a life rather than telling us how we should view that life. I wish it had been more compelling, but the material is fascinating.
Friday, November 2, 2012
Movie Quiz Answers
Here are the answers for the October quiz! The winner was my friend Christian, who got 28 points out of 35...nice work!
"Life is like a box of chocolates..."-Tom Hanks, Forrest Gump
"La de da, La de da..."-Diane Keaton, Annie Hall
"FREEDOM!!!!!"-Mel Gibson, Braveheart
"Sam, I thought I told you never to play that..."-Humphery Bogart, Casablanca
"For Frodo..."-Viggo Mortenson, The Lord of the Rings: Return of the King
"We keep you alive to serve this ship...row well and live."-Jack Hawkins and Charlton Heston, Ben Hur
"I coulda been a contender..."- Marlon Brando, On the Waterfront
"Fasten your seat belts, it's going to be a bumpy night..."- Bette Davis, All About Eve
"Four jacks! You owe me 15 grand pal!"-Paul Newman, The Sting
"This is not the stuff of which martyrs are made..."-Paul Scofield, A Man for All Seasons
"Yo Adrian."-Sylvester Stallone, Rocky
"Why didn't you take off all your clothes? You could have stopped forty cars."-Clark Gable, It Happened One Night
The connection? All of the movies from which the quotes are taken won the Best Picture Oscar. Thanks for reading and playing...stay tuned for more quizzes!
"Life is like a box of chocolates..."-Tom Hanks, Forrest Gump
"La de da, La de da..."-Diane Keaton, Annie Hall
"FREEDOM!!!!!"-Mel Gibson, Braveheart
"Sam, I thought I told you never to play that..."-Humphery Bogart, Casablanca
"For Frodo..."-Viggo Mortenson, The Lord of the Rings: Return of the King
"We keep you alive to serve this ship...row well and live."-Jack Hawkins and Charlton Heston, Ben Hur
"I coulda been a contender..."- Marlon Brando, On the Waterfront
"Fasten your seat belts, it's going to be a bumpy night..."- Bette Davis, All About Eve
"Four jacks! You owe me 15 grand pal!"-Paul Newman, The Sting
"This is not the stuff of which martyrs are made..."-Paul Scofield, A Man for All Seasons
"Yo Adrian."-Sylvester Stallone, Rocky
"Why didn't you take off all your clothes? You could have stopped forty cars."-Clark Gable, It Happened One Night
The connection? All of the movies from which the quotes are taken won the Best Picture Oscar. Thanks for reading and playing...stay tuned for more quizzes!
Tuesday, October 30, 2012
Movie Quiz...Connections Update
Happy Tuesday everyone! I am re-posting my movie quiz I have gotten two responses so far. Take a shot! I thought I would tweak it a little
this time. I am posting 12 quotes from 12 different movies. The twelve
quotes have a specific connection. So...here's how we'll do this: the
winner will win a $10 Trader Joe's gift card as usual. And, as usual,
identifying the movie from which the quote comes is worth one point, and
naming the actor who uttered the phrase is also worth one point.
Naming the right connection will be worth 10 points. This means that
the total points possible is 35: 25 points for the quotes (quote number 6
is uttered by two people), and 10 points for naming the connection. I
will take entries until Friday, November 2 at 9PM. Please e-mail your
entries to losbascoms@mac.com. Any entries posted in the comments
section will be deleted, as they will be seen by others. Finally,
please do not look on the internet for the answers! No cheating :)!!
If there is a tie, I have a question in mind to break the tie. Good
luck!!
1. "Life is like a box of chocolates..."
2. "La de da, La de da..."
3. "FREEDOM!!!!!"
4. "Sam, I thought I told you never to play that..."
5. "For Frodo..."
6. "We keep you alive to serve this ship...row well and live."
7. "I coulda been a contender..."
8. "Fasten your seat belts, it's going to be a bumpy night..."
9. "Four jacks! You owe me 15 grand pal!"
10. "This is not the stuff of which martyrs are made..."
11. "Yo Adrian."
12. "Why didn't you take off all your clothes? You could have stopped forty cars."
1. "Life is like a box of chocolates..."
2. "La de da, La de da..."
3. "FREEDOM!!!!!"
4. "Sam, I thought I told you never to play that..."
5. "For Frodo..."
6. "We keep you alive to serve this ship...row well and live."
7. "I coulda been a contender..."
8. "Fasten your seat belts, it's going to be a bumpy night..."
9. "Four jacks! You owe me 15 grand pal!"
10. "This is not the stuff of which martyrs are made..."
11. "Yo Adrian."
12. "Why didn't you take off all your clothes? You could have stopped forty cars."
Monday, October 29, 2012
Joel's 5 Favorite Coen Brother Films
I have seen every film that Joel and Ethan Coen have directed. One of the interesting things about the Coen Brothers' films is that most of them take more than one viewing to really sink in. For instance, I remember being almost repelled the first time I saw Fargo, but it has ended up being one of my favorite films not only by the Coens, but also one of my favorite films ever. Their films have ranged greatly in theme, setting and tone, but they do all have some idiosyncrasies that bind them. Above all, the Coen Brothers love film making. When they received an Oscar for Best Picture for "No Country For Old Men", one of the brothers said that they see their film making as playing in the sand box. The work that they have done exhibits that. It is entertaining, never overly sentimental, and always concerned with craft. Here's my list, in no particular order:
Fargo
Though they achieved their glory with "No Country for Old Men", this film, to me, is the quintessential Coen Brothers movie. It has everything. It has quirky dialogue, wonderfully realized characters, an engaging plot, and a wonderful setting. Setting is always very important in the films of the Coen Brothers. The place in which their films are set often takes on a character of its own. Perhaps one of the reasons this film works so well is that it is set in the place of their birth. Minneapolis provides the backdrop for this blood soaked murder tale. What breaks through in this movie that sometimes doesn't break through in some of the Coens' work is the subtle sentimentality made manifest in the character of Marge Gunderson (Frances McDormand). It is her simple Midwestern decency which is the heart of this movie. As Jerry Lundegaard (a wonderfully inept character brought to life by William H. Macy) makes a bigger and bigger mess of his plot, her cleverness solves the mystery. She is constantly being underestimated, and even though there is tragedy in the film, Gunderson's hard work does indeed pay off.
Fargo is one of those films that makes you marvel. The characters are so real, so funny, and so true to life. The movie has popularized the Minnesota accent, but the longer I live here, the more I see how affectionate the portrayal is. While the body count continues to grow in the film thanks to Steve Buscemi's loose cannon cut rate criminal, Frances McDormand continues to work to solve the case, and she continues to live her simple, lovely life. The scenes between her and her husband are among the most poignant I can ever remember seeing on film, and they provide a welcome relief from the blood shed in the movie. They remind us that the people who execute justice have very normal lives. The love that the two of them share is comfortable, decent love. You just don't see that portrayed in films very often. Stories like this come along so rarely.
True Grit
The Coens' most recent effort may be their least offbeat work, but it is a highly satisfying and engaging western. It is clear that they loved the novel upon which the film is based, and the result is a good film with great characters and an exciting story. The setting is important in this film as well. With many westerns, beautiful vistas and stunning sunsets enhance the film and give them an almost dream like quality. The sparse landscapes and harsh realities of the West in this film are a noteworthy contrast. There is still a beauty to the landscape in the film, but one that is much more harrowing and desolate.
When Mattie Ross (a great performance by newcomer Hailee Steinfeld) loses her father, she goes on a quest to avenge her father. This leads her to hire U.S. Marshall Rooster Cogburn (Jeff Bridges) to help her track down the man who killed her father, Tom Cheney. The movie is a classic western very well told. In the end, it does have some distinctly Coen Brothers stamps, but over all it is a simple narrative very well told. Jeff Bridges is the cornerstone of the movie, making a drunken washed up Marshall truly sympathetic. Matt Damon is also good as a Texas Ranger who joins in the hunt, and who has more to him than meets the eye. There is not a lot to really ponder in this movie. It is simply a great western that reminds all of us that sometimes in a film, story is everything. This is a great story.
Raising Arizona
One of the most uproarious comedies I have ever seen. Nicholas Cage plays Hi, an ex con who is trying to get back to the straight and narrow. When he marries police officer Ed, they learn that they cannot have children, and they kidnap one of the Arizona quintuplets. This sets off a series of mad events which make for a hilarious roller coaster ride.
A lot of times, comedies can be best remembered for certain scenes. We all end up quoting these scenes to others, and a certain bond takes place. For me, the scene in which Nathan Arizona is being questioned regarding the disappearance of his son is gold. I cannot think of any 5 minutes of screen time wherein more huge laughs are stuffed. Every performance in this movie is note perfect, and it gets funnier each time you see it.
A Serious Man
The last two films on my list are films that I have only seen once, but they each made a big impact on me. This film seems like a very personal work, as it was filmed partly in the suburb wherein the Coens acutally grew up. I worked in St. Louis Park, MN for 3 years, and the synagogue used for part of the filming was very close to the Trader Joe's where I worked. This film has a lot going for it, primarily an almost Job-like meditation on suffering and what happens when things go terribly wrong for a man. It follows a professor named Larry whose entire life is in a state of chaos. The film does not have much closure to it, but it does offer a fascinating look at a cultural enclave.
One of the reasons this film made such an impact on me was a single moment in the film. I have no idea what the film makers intended with the scene, and that might not matter. During the bar-mitzvah of Larry's son, there is a moment wherein one of the participants on the platform is carrying a heavy scroll. As he trips due to the scroll's weight, he utters the curse, "Jesus Christ!" There is an irony in that utterance. The Christian belief is that Jesus Christ took upon himself the weight of the law...the sight of a person being crushed by the weight of the law and uttering Christ's name is a rich and ironic sight. This film will demand further viewings, but my first viewing of it made a big impact.
Miller's Crossing
Though I have only seen it once, this film's narrative really captured me. It is a lot like True Grit, because it emphasizes story over anything else. The story of mob right hand man Tom (Gabriel Byrne) navigating his way through the double crosses and triple crosses of organized crime is highly engaging. What has always stuck with me, however, is the veracity in the voice of John Turturro's desperate criminal. It is amazing to think that he is not genuine, but the story of the film shows otherwise. This movie also makes amazing use of story along with music to create some amazing scenes. I must watch it again.
Fargo
Though they achieved their glory with "No Country for Old Men", this film, to me, is the quintessential Coen Brothers movie. It has everything. It has quirky dialogue, wonderfully realized characters, an engaging plot, and a wonderful setting. Setting is always very important in the films of the Coen Brothers. The place in which their films are set often takes on a character of its own. Perhaps one of the reasons this film works so well is that it is set in the place of their birth. Minneapolis provides the backdrop for this blood soaked murder tale. What breaks through in this movie that sometimes doesn't break through in some of the Coens' work is the subtle sentimentality made manifest in the character of Marge Gunderson (Frances McDormand). It is her simple Midwestern decency which is the heart of this movie. As Jerry Lundegaard (a wonderfully inept character brought to life by William H. Macy) makes a bigger and bigger mess of his plot, her cleverness solves the mystery. She is constantly being underestimated, and even though there is tragedy in the film, Gunderson's hard work does indeed pay off.
Fargo is one of those films that makes you marvel. The characters are so real, so funny, and so true to life. The movie has popularized the Minnesota accent, but the longer I live here, the more I see how affectionate the portrayal is. While the body count continues to grow in the film thanks to Steve Buscemi's loose cannon cut rate criminal, Frances McDormand continues to work to solve the case, and she continues to live her simple, lovely life. The scenes between her and her husband are among the most poignant I can ever remember seeing on film, and they provide a welcome relief from the blood shed in the movie. They remind us that the people who execute justice have very normal lives. The love that the two of them share is comfortable, decent love. You just don't see that portrayed in films very often. Stories like this come along so rarely.
True Grit
The Coens' most recent effort may be their least offbeat work, but it is a highly satisfying and engaging western. It is clear that they loved the novel upon which the film is based, and the result is a good film with great characters and an exciting story. The setting is important in this film as well. With many westerns, beautiful vistas and stunning sunsets enhance the film and give them an almost dream like quality. The sparse landscapes and harsh realities of the West in this film are a noteworthy contrast. There is still a beauty to the landscape in the film, but one that is much more harrowing and desolate.
When Mattie Ross (a great performance by newcomer Hailee Steinfeld) loses her father, she goes on a quest to avenge her father. This leads her to hire U.S. Marshall Rooster Cogburn (Jeff Bridges) to help her track down the man who killed her father, Tom Cheney. The movie is a classic western very well told. In the end, it does have some distinctly Coen Brothers stamps, but over all it is a simple narrative very well told. Jeff Bridges is the cornerstone of the movie, making a drunken washed up Marshall truly sympathetic. Matt Damon is also good as a Texas Ranger who joins in the hunt, and who has more to him than meets the eye. There is not a lot to really ponder in this movie. It is simply a great western that reminds all of us that sometimes in a film, story is everything. This is a great story.
Raising Arizona
One of the most uproarious comedies I have ever seen. Nicholas Cage plays Hi, an ex con who is trying to get back to the straight and narrow. When he marries police officer Ed, they learn that they cannot have children, and they kidnap one of the Arizona quintuplets. This sets off a series of mad events which make for a hilarious roller coaster ride.
A lot of times, comedies can be best remembered for certain scenes. We all end up quoting these scenes to others, and a certain bond takes place. For me, the scene in which Nathan Arizona is being questioned regarding the disappearance of his son is gold. I cannot think of any 5 minutes of screen time wherein more huge laughs are stuffed. Every performance in this movie is note perfect, and it gets funnier each time you see it.
A Serious Man
The last two films on my list are films that I have only seen once, but they each made a big impact on me. This film seems like a very personal work, as it was filmed partly in the suburb wherein the Coens acutally grew up. I worked in St. Louis Park, MN for 3 years, and the synagogue used for part of the filming was very close to the Trader Joe's where I worked. This film has a lot going for it, primarily an almost Job-like meditation on suffering and what happens when things go terribly wrong for a man. It follows a professor named Larry whose entire life is in a state of chaos. The film does not have much closure to it, but it does offer a fascinating look at a cultural enclave.
One of the reasons this film made such an impact on me was a single moment in the film. I have no idea what the film makers intended with the scene, and that might not matter. During the bar-mitzvah of Larry's son, there is a moment wherein one of the participants on the platform is carrying a heavy scroll. As he trips due to the scroll's weight, he utters the curse, "Jesus Christ!" There is an irony in that utterance. The Christian belief is that Jesus Christ took upon himself the weight of the law...the sight of a person being crushed by the weight of the law and uttering Christ's name is a rich and ironic sight. This film will demand further viewings, but my first viewing of it made a big impact.
Miller's Crossing
Though I have only seen it once, this film's narrative really captured me. It is a lot like True Grit, because it emphasizes story over anything else. The story of mob right hand man Tom (Gabriel Byrne) navigating his way through the double crosses and triple crosses of organized crime is highly engaging. What has always stuck with me, however, is the veracity in the voice of John Turturro's desperate criminal. It is amazing to think that he is not genuine, but the story of the film shows otherwise. This movie also makes amazing use of story along with music to create some amazing scenes. I must watch it again.
Subscribe to:
Posts (Atom)